Les antiquaires de Bantiks : Specialities

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Art Objects
Email, Lacquers, Mud, ornements, Plates, Sculptures

Barometers Watchmaking
Barometers, Clock, Pendulum, wall clock

Books print
Books, Manuscripts

Ceramics - glass
Biscuit, By type of objects, earthenwares, Glasses, Majolica, Porcelain, sandstones, Terra cotta

Collection Objects
Animalist - Hunting, Autographs, Bottles, Boxes, Canes, Coins, Headstocks, Ivory, Mother of Pearl, Music, Needlework, Pens writing, Rattle, Tin Soldiers and Figurines, Toys, Travels

Contemporary art
Ceramic, Paintings, Sculpture

Cover - Tapestry - Textile
Cover carpet, Household linen, Lace, Passementerie, Tapestry, Textile

Curiosities glass objects
charms objects, Curiosity objects, glass objects

Decoration
Deco of garden, Furniture, Objects

Far East
China, Japan, Other contries

Fireplaces
Chemney, fireplace's products

First Arts
African Art, Archeology, Pre columbian

Furniture
Barbière, Bars, Bedheads, Beds, Bookcase, Buffets, chairs, Chestboards, Consoles, Cupboards, Decoratives furnitures, Desk, Dressing table, For trades, Glass Cases, Painted furniture, Pairs, Pedestal table, Secretaire, Settee - Benches, Sideboards, Small furniture, Tables

Jewels
Collection Watches, Contemporary jewwels, creation, Old jewels

Lights
Chandeliers, Lamps, wall brackets

Mirror, golden wood
Golden woods, Mirror, stained glasses

Paintings Drawing Engravings
Drawing, Engraving, Framework (for), Miniature, Paintings, Photographs

Popular art

Sacred Art
Icons, Miscellanous, Statues

Table arts
Candles, Copper moulds, kitchen ustensils, Orfevrerie, Silver

Weapons
Daggers and Knifes, Equipments, Hast armes, Helmets and Armours, Japanese Weapons, Pistols, Plates and Decorations, Revolvers, Rifles, Sabers, Swords, Systems and Curiosas, Throw arms

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A Dutch School portrait depicting a gentleman.<br>Oil on canvas executed in 1628 ; At the time the model was 29 years old. <br>First half of the 17th century.<br><br>

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LAPPARRA SILVERSMITH - SILVERED BRONZE JARDINIERE - BEGINNING OF 20TH - FRENCH

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Pendule Empire.

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FRANK BOGGS PAINTING LAST 19Th CENTURY AMERICAN SCHOOL VIEW OF PARIS THE SEINE NOTRE DAME St LOUIS ISLAND NEAR TOURNELLE BRIDGE

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ZERLINE

4 PILASTERSOUT OF CAST IRON FROM A STABLE

An important giltbronze mounted mahogany, bureau plat, Louis XVI period .<BR>3 drawers in belt .<BR>67 / 37,3 / 29,2 in

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VIOLON D'INGRES

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BUREAU PLAT GILTBRONZE MOUNTED FAIR MAHOGANY DESK LOUIS XVI PERIOD THREE DRAWERS

PAGES JULES ( 1867 / 1946 )<BR>Paris La Seine at the Pont Neuf<BR>Oil on panel signed lower right<BR>8,7 / 12,7 in<BR>Original frame<BR>Musées : Paris ( Musée des arts Modernes ) , Pau , San Francisco , Toulouse .<BR>Jules Eugène PAGES <BR>Born in 1867 in San Francisco (California) <BR>Death in 1946 in Paris Américain (active in France) <BR>Painter of genre, landscapes - <BR>Jules PAGES was a pupil of Constant, Lefebvre and Robert Fleury in Paris - and, in 1902, professor to the Academy Julian.<BR>Jules PAGES exposed to the Show of the French Artists from 1895, the landscapes, scenes of genre and the views of Paris.<BR>The PAINTERS of PARIS <BR>Paris is one of the cities to the world which the most attracted the painters. But the nature and the reasons of this interest evolved with the history of the city. Paris is a mosaic of districts. The painters represented the most attractive sites and the prestigious monuments by appropriating places to feed their imagination - of the Island of the City in the Arc de Triomphe - of the place Clichy to the Opera - of the Latin Quarter in the Tuileries - Big Boulevards in Montmartre or in banks of the Seine - The XIXth century profoundly modified the aspect of the city and the realistic painter will attempt to represent the people in their everyday life.<BR>Under Napoleon III, the modernization of the capital, managed by the baron Haussmann, with the drilling of big avenues, the construction of new districts as around the Monceau Park  or the Etoile place, monuments as the Opera or the Church St-Augustin, the development of Wood of Boulogne and Vincennes - So many subjects as the painters will want to fix to the painting .<BR>After the events of 1870, Paris releases itself and lives a period of pleasures of joy of living. Numerous painters, French painters and Foreigners, illustrated with happiness this society of " The Belle Epoque " - Among the most famous: Auguste Renoir and " The Ball of the Mill of the Pancake " Claude Monet and " train station St-Lazare " - Raoul Dufy in the "Palais Royal" - Edouard Manet " The Music in the Tuileries " - Henri of Toulouse Lautrec " In the Moulin Rouge " Some painters became " the specialists of Paris " representing the animation of streets and gardens, flower markets of the city or along the Church of Madeleine, " booksellers" on banks of the Seine with Notre-Dame... Everything is pretext to crunch on the deep this hectic and worldly life all the day long or of the night, and all the year round. Such: Jean Béraud and his elegant women - Edouard Cortès -  <BR>Georges Stein - Eugène Galien Laloue - and many of the others maybe less famous but so talented.

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VIOLON D'INGRES

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JULES PAGES PAINTING BEGINNING 20Th CENTURY AMERICAN SCHOOL VIEW OF PARIS LA SEINE AT THE PONT NEUF

A Louis XIV (1643-1715) period ormolu-mounted red tortoiseshell on tin foil clock.<br>Giltt bronze.<br>17th century.<br>

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CATEL

A Swiss Neuchâtel Louis XV period wall clock, Martin vernish, movement with quarter-striking and pull quarter, repeating on two bells, verge escapement. Two remontoires, <br>18th century.

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CATEL

Swiss Louis XV period wall clock, 18th century.

ALFRED QUINTON COLLINS ( 1855 / 1903 )<BR>Haystacks in winter at Chaponval .<BR>Impressionnist American School<BR>Oil on canvas dated (18)93<BR>15 / 18,2 in<BR>Original frame<BR>Musées : New York ( Metropolitan Museum of Art ) , Boston ( Museum of fine Arts ) , Brooklyn ( Museum of Art ) , Wadsworth Athaneum Museum of Art .<BR>Alfred Quinton COLLINS <BR>Born in 1855 to Portland ( Maine) the United States / Death in 1903 to Cambridge ( Massachussetts)<BR>American<BR>Painter of portraits, landscapes - Illustrator - Impressionnsite - <BR>Pupil of Bonnot in Paris, Alfred Quinton COLLINS frequented " the colony of Giverny ".<BR>Attracted by the fame of Monet, numerous foreign artists, among whom many Americans, grouped together around impressionist Master in the 1885s and following ones to become impregnated with the atmosphere of this region.<BR>Alfred Quinton COLLINS exhibited to the Show of Paris from 1880.<BR>THE PAINTING IN THE XIXth CENTURY <BR>Until then the painters glorified the Church or the secular power. The representation of the nature was considered as a minor art and could justify itself only according to a historic, mythological or ornamental reference.<BR>The painting of the landscape will know about the XIXth century an unprecedented development. But the evolution, of the classicism in the comment-impressionism, by way of the romanticism, will be made only at the prize of some revolutions of the mentalities. In the search for the representation of the reality through the nature but also for the work of the people, the artists joined the concerns of the writers, the philosophers and the men of science of this period.<BR>From the beginning of the century, some precursors, natural passionate persons, had already crossed the surroundings forest of Paris. But it is from 1820 when French artists have the revelation of a new technique producing a vibration of the color, by admiring the landscapes .<BR>From then on, helped in it by the invention of the tube of paint, and later the railroad facilitating the movements, the painter is going to practice are art on the motive in closer of the nature.<BR>Of temperament and inspiration different, these painters, landscape painters, animal painters or realists, bound by feelings deep of the nature, recognized under the naming " School of Barbizon " prepared the way for the "Impressionism" .

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VIOLON D'INGRES

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ALFRED QUINTON COLLINS PAINTING XIXTh CENTURY AMERICAN IMPRESSIONIST SCHOOL HAYSTACKS IN WINTER AT CHAPONVAL AUVERS SUR OISE

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ZERLINE

THE 34 FLOWERS OF SUMMER!

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